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I’ve often found myself wondering whether it would really be such a radical gesture to show a majority of work by women without bracketing it as women’s work. What would it be like to experience a city filled with exhibitions that weren’t reinforcing the patriarchal tendencies of the art world?
In Lima this possibility came true.
At Parallel, Oaxaca, curatorial-artistic-investigative-philosophical team Jennifer Teets and Lorenzo Cirrincione present “Elusive Earths III,” the third iteration of their ongoing ethnographic inquiry into the history of geophagic traditions.